The Award Winning Newspaper Of Pace University

THE PACE CHRONICLE

The Award Winning Newspaper Of Pace University

THE PACE CHRONICLE

The Award Winning Newspaper Of Pace University

THE PACE CHRONICLE

SGA Vice President Paris Tracey (left) and Nick Diaz pose after a school sponsored event.
Our Journey in SGA: The Past, The Re-Election, and The Future
Nicholas Diaz and Paris TraceyApril 19, 2024

It has been nearly a month since our victory and subsequent re-election, and the feeling is still incredibly surreal. This campaign season proved...

Outfielder Layla Michelson high-fives catcher Carolina Iturriga during a home game(paceathletics/IG)
Softball Goes through New York City Area Colleges Spotless
Dylan Brown, Managing Editor • April 19, 2024

NEW YORK- Pace Softball had a mini tour through New York City starting at Staten Island and ending in Queens, resulting in three more victories. On...

The cast of Our Lady Of 121st Street at Arc Stages. 
Left to right: Jillian Hinz, Evan Mahanna, Patrick Purcell, Belle Duddie, Kendall Key, Marquise McCullough, Lilah McCormack, Darius Tiru, Leanna Ward, Michaela Elyse Williams, Faith Andrews,  Payton Cocchia.
Pace University's Spring Play: Our Lady of 121st Street
James Steigerwald, Feature Editor • April 18, 2024

Pace University’s spring play, Stephen Adly Guirgis’ Our Lady of 121st Street, premiered this past week at Arc Stages in Pleasantville. Opening...

Kiss Land ‘Focuses on the Experience’

“Professional”, is not only the first track off of The Weeknd’s de- but studio album Kiss Land, but it’s also exactly how you would describe the essence of the album. Abel Tesfaye has spent his career thus far strictly releasing criti- cally acclaimed mix tapes, which isn’t necessarily a bad thing. After signing a record deal with Repub- lic Records last Sep., he released The Trilogy, in which he compiled all of his previous mix tapes; Tes- faye has been hard at work.

Stepping away from the mini- malism found in The Trilogy, The Weeknd dives into a much larger sound. If you would compare “Be- long to the World” to “The Party & The After Party” they sound like they could be completely different artists.

The Weeknd started off as a mysterious minimal artist that gave you the creeps. But now that he’s stepped more in the spotlight between lawsuits, touring, BFFing it up with Drake and literally put- ting his face on the cover, maybe this is a sign of change.

Following his formula for slow tempo’d R&B, Kiss Land delivers where his mix tapes simply couldn’t. The most noticeable difference is the clarity in vocal arrangements. Tesfaye has almost gotten rid of all traces of his mum- bling singing which created lyrical confusion in the past. It may have just been the style that he preferred, but thankfully he’s grown out of it. Unlike his mix tapes, Kiss Land steps away from the destructive nature of mixing drugs and women and just focuses on the experience itself.

Albums like Kiss Land and Frank Ocean’s Channel Orange have been giving R&B a wider audience and a whole new per- spective, while at the same time; they pay homage to the legends of the past. Tracks like “Wander- lust” make you pause and realize how similar it sounds to Michael Jackson. Upon first listening to the track, you’re kind of convinced he’s MJ’s re-incarnation. At the same time this doesn’t discredit The Weeknd’s originality. The two have plenty of differences in terms of flow and style.

As it lies, Kiss Land is defi- nitely a solid album, especially for his first studio album. The Week- nd still remains mysterious in my mind because of the way his voice slithers under your skin. If his up- coming shows at Radio City are anything like they were last year, Kiss Land will be a treat to see pre- formed live.

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